The Good Dinosaur van Disney-Pixar laat ons zien hoe de wereld er uit zou zien als de dinosauriërs nooit waren uitgestorven. Deze film staat voor 25 november op de Pathe agenda, en had de website Collider een interview met Denise Ream over haar betrokkenheid bij deze veel belovende film.

Question: I wanted to talk about the history of this project, how it transformed because it started with Bob Peterson and now Peter [Sohn]'s directing, and so if you could talk a little bit about the transformation of the project and what changed from early versions to what we're about to get.

DENISE REAM: Yeah. I wasn't on the early versions. Pete's definitely the guy to talk to. I came on in June of '13, John Walker the former producer left to go work with Brad Bird because they have a long standing relationship and he had an opportunity. So I came on and they were in the middle of starting to tear the story apart. I had been on another movie and had taken a lot of time off so I never really saw the early screenings. But a couple of things that did change were like that the siblings were a lot older, they became younger, it was a much more complicated story from the little that I know of the previous history. And when we reset the movie a lot of it was about stripping away what had existed before or had gotten overly complicated and going back to the real true essence of the boy and dog story. So I came on and kind of shut the whole show down, which was very nerve-racking to a lot of people, but we shut the show down and literally Pete spent September, October, November and December solely working on the story and kind of iterating treatment forms, script forms, and then we started re-boarding toward the middle of December of '13.